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How about indoors or shooting
in any available light conditions? No problem here. If you are relying on available
light alone, make sure the lens you use has a maximum aperture of at least f/2.8
or an EF lens utilising Canon's Image Stabilizer (IS) feature if you are shooting
with an ISO 100 speed film. Otherwise, you will find yourself shooting with slow
shutter speeds.
The P mode will try to select
the highest possible shutter speed that is possible given the lighting situation,
film speed in use as well as the maximum aperture of the lens. If the lighting is
really low, the shutter speed selected can be really slow for you to hold steadily.
The photos of the automobiles shown below were shot inside their showroom in P mode
with the EF 50mm f/1.4 USM lens.
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Car headlights & bonnet |
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Rear views of Lotus sport cars |
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For available light shooting,
the P mode will analyse the situation and select the most appropriate shutter speed
and aperture combination. If you need deeper depth-of-field in such conditions rather
than higher shutter speeds, all you have to do is shift the electronic input dial
of your EOS camera to alter the settings to your desired choice and shoot.
In photo below (left), both the
front windscreen and the bonnet of the red car's warm cast were provided by the reflection
of the awnings above it as well as its own colour. In the photo on the right, the
available light was reflected by the awnings itself that had subdued the sunlight
behind it.
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Abstract of red car |
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Abstract of awnings |
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To be able to create excellent
images using the P mode alone, several factors have to be considered. First, the
ISO film speed in use, secondly, the EF lenses you have in your arsenal. Third, whether
you are using your EOS camera's Evaluative, Partial or Spot metering, always be careful
of where you place the correct AF point to lock into the main subject to ensure correct
exposure.
Fourth, Program Flash AE is best
used for balanced fill-in flash in broad daylight to provide details against the
shadows or back lighted subjects rather than indoors if you are not shooting with
higher ISO speed film or having EF lenses with larger maximum apertures. In this
mode with the camera/Speedlite combination, the shutter speeds will be selected between
1/60 and 1/250 sec (depending on the EOS models) and at such speeds, you may lose
details in the background. Slow-sync flash works better in indoor events if you want
to record the background's ambience light.
Fifth, since the Intelligent Program
AE mode leaves you free from selecting both the shutter speeds and aperture combinations,
EOS users who have followed the Art of Photography columns can utilise all the techniques
described in the previous issues to shoot their pictures without having to concentrate
on the appropriate settings. You can always alter the camera's suggested settings
by turning your EOS camera's input dial in either direction till you come to the
desired combination.
In the next few pages are photo
galleries of images that are all shot in the P mode in various lighting conditions.
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