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This is one reason why you don't
see professional photographers using entry-level 35mm cameras for their assignments.
Such cameras just don't measure up to their requirements. Me? I was using that Grand
Prix event to test three different cameras' AF performances, the EOS 300, EOS-3 and
the EOS-1N RS.
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Loris Capirossi in action (at 70mm) |
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Olivier Jacques in action (at 70mm) |
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Anthony West in action (at 100mm) |
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The EOS-3 made a world of difference
in tracking fast-moving subjects - the photos of 250cc riders (above) of Loris Capirossi,
Olivier Jacques and Anthony West were shot with the EF 70-200mm f/2.8L USM zoom lens
set at the 70mm and 100mm focal lengths.
All three photos were achieved
with minimum focus tracking distances - about 20 meters from the moment I aimed at
the approaching riders and clicked the shutter. The distance between the riders and
me (the exact point where the images were recorded) in this particular chicane was
also 20 meters away.
The reason for the short distance
of focus tracking time was due to a track marshal's post that was located not far
from where I was shooting from, preventing me from getting a longer tracking time
for the EOS-3. Nevertheless, the camera performed its job perfectly. However, for
most of the 500cc session, I switched to the EOS-1N RS with a 300mm lens and moved
up to a higher area, overlooking the same chicane but without the marshal's post
blocking my view.
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