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Shoot your subjects the way
you prefer them ...
Using the fundamentals in conjunction
with the three basic questions, you can shoot virtually any angle you wish with the
subjects you want for your photos. Try an unusual angle if you feel the normal way
is too lame or weak. Hey, who knows, the unusual method may produce better results
than the conventional angles. Here are some examples:
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An idle fountain (35mm) |
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Shot with 50mm lens |
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Abstract of a leaf (100mm) |
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A 14mm super-wide created this image |
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The 35mm focal length of the EF
20-35mm f/2.8L AFD zoom lens has exaggerated the perspective of the idle fountain
and so has the 50mm lens, although the narrower angle-of-view of the latter has masked
this tendency altogether. View side-by-side, you will see the resemblance in both
shots. The abstract shot of the leaf was done by a normal, fixed focal length 100mm
lens, and not the Macro version. It was actually a large leaf, like those from the
bunch seen from the shot captured by the 14mm super wide-angle lens.
Metering aspects - when do
you need to compensate
The Evaluative metering, from
the original 6-zone series to the 16-zone found on the EOS 5 and EOS-1N/1N RS, as
well as the 21-zone and 35-zone versions on the EOS-3 and EOS 300 respectively, are
all designed to give their users the proper exposures, based on the film speed used
and lighting conditions. Except for the EOS 300 and EOS-3 models, the other EOS models
need to be applied with some exposure compensations where necessary, especially with
situations having high contrast lighting effects. Knowing by instinct when to apply
these compensations to the pictures is another sign of how well you have mastered
all required knowledge in photography.
The steel whale sculpture, enshrined
in the man-made lake of the Petronas Twin Towers' People's Park, appeared exactly
the way as I saw it prior to clicking the shot. A 2/3-stop of additional exposure
was made to the camera's Evaluative metering suggestion. Reason? The steel sculpture
reflected bright highlights that could have fooled the meter, and it being the main
subject as well, could have tricked the Evaluative metering into giving the wrong
exposure info. The next shot was captured from a different angle, with the exposure
now based from the overall surroundings.
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Whale sculpture (135mm) |
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Sculpture shot from a different angle
(70mm) |
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No exposure compensation (200mm) |
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2/3-stop of additional compensation |
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If you are using the EOS 300 or
the EOS-3, getting underexposed photos like the one above (backlit modern building)
is out of the question. For EOS models having the older 6-zone or even the 16-zone
series found on the EOS 5 and EOS-1N/1N RS, there is a tendency to underexpose such
shots. The solution? Increase the exposure by 2/3-stop or switch to Partial or Spot
metering option.
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