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Exposure information can also
be checked, and altered via tbe Main Dial if the user prefers a different setting
than what the camera has set. Exposure compensation? Using the camera's 21-zone Evaluative
metering, you will hardly need to apply any exposure compensation to the scenes you
intend to shoot. However, if the need ever arise, the EOS-3's Quick Control Dial
can be used to apply the required exposure compensation immediately. Take for example,
these three photos below. The first photo (left) was shot without any compensation
being applied, the next was with minus 1/3-stop (right) and the third (bottom, left)
was given minus 2/3-stop of exposure compesation.
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Sunset glow
on building |
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Minus 1/3-stop
of compensation |
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Minus 2/3-stop
of compensation |
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Backlit figure with
no compensation |
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Actually, I knew the camera's
Evaluative metering would nail the first shot right on target but the warm sunset
glow on the building may not be that saturated, hence the exposure compensation was
applied to get the warmer tone. By the way, the original color of the building is
white. As for the backlit shot of the lone man walking, using the EOS-3 with its
Eye-Controlled Focus (ECF) in AI Servo AF mode to track the figure's movement, the
camera was able to average out the precise exposure setting despite the strong backlight.
Fellow Malaysians, especially those living in Klang Valley, would know exactly where
the backlit photo was shot, which is near the Petronas Twin Towers, the world's tallest
buildings. It was only natural that when I turned around, the Twin Towers became
my next subject. But rather than concentrating on the overall view, I decided to
have an abstract shot (below, left) instead, with the help of the Extender 2x. The
backlit and the abstract photos were both shot with the new EF 70-200mm f/4L USM
zoom lens.
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Abstract of
Twin Towers |
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Telekom Tower |
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| |
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Balconies of low-
cost apartments |
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Modern commercial
buildings |
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As usual, the striking conuast
between the blue sky andd Kuala Lumpur's new Telekom Tower attracted my attention
and I couldn't resist clicking another shot with the EF 70-200mm f/4L USM lens. Again,
with the 2x Extender attached, it made the shot of the balconies of the low-cost
apartments easy with Program AE mode with the EOS-3's 21-zone Evaluative metering.
For those who have read the recent field-test of the EF 70-200mm f/4L USM zoom lens
on the Nuts & Bolts column, they would be able to recognize the familiarity of
the last photo on this page. The buildings are from the same commercial district
that were used in Page Two of that issue, but with a different angle shown here.
With ECF, I just looked at the middle area of the frame, the camera locked focus
and I clicked the shutter button. It was easy as that.
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