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Deeper zone of focus is usually associated with smaller apertures and shorter focal length lenses such as super wide-angles, wide-angles and to some extent, standard 50mm lens. However, longer telephoto lenses can also be used for a greater zone of sharpness. This can be done in two ways - the first is of course, via the use of smaller apertures to maximize depth-of-field, and the second is by focusing the lens at infinity. At infinity, the depth-of-field is absolutely indefinite for any focal length, meaning it is virtually impossible to achieve a shallow zone of focus whenever a lens has been focused at its infinity distance.

The photo (below, left) of the huge crowd was shot at the telephoto end of the EF 55-200mm f/4.5-5.6 USM zoom lens and focused at infinity. While most of the press and sports photographers present were keen to shoot the crowd at a close distance with wide-angle lenses, I saw a better angle from the window of the first floor paddock I was in, located quite a distance from where the crowd was. The selected aperture of f/8.0 did little in extending the zone of sharpness for this photo.

Shot at infinity focus (200mm)
A small aperture was selected for this shot (f/8.0)
   
Close-up of loose thread (EF 100mm Macro)
Bamboo baskets (at f/4, 200mm)

For the photo of the marigolds, a smaller aperture - needless to say - was selected with the EOS-3 to ensure adequate depth-of-field across the whole frame. The close-up photo of the loose thread was shot at f/2.8 to ensure a handhold-able shutter speed and a blurred background. For the bamboo baskets, they were among those that caught my attention as I was going around looking for subject matters to be photographed with the EOS-3 in its Av mode.

Using the Av mode can be fun, especially when you prefer to have some control over the depth-of-field in your photos although nothing beats using the Intelligent Program AE mode in terms of ease-of-usage. However, while the Program AE mode allows you to alter the camera's suggested setting by turning the EOS-3's Main Dial left or right but sometimes, the altered setting may not give you the f-stop you want. For example, if you prefer f/8.0, the altered values will instead be f/7.1 or f/9.0. Thus, the Av mode allows you the freedom to choose the f-stop you want and let the camera decide the appropriate shutter speeds.

Below are four other examples of how the Av mode was used to create the effects shown.

Sepang F1 circuit's glass paddocks shot at f/11 (400mm)
This unusual angle was shot at f/7.1 (28mm)
   

Shot at f/5.6 (70mm)

An aperture of f/11 provided ample depth (35mm)

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