|
This series of photos does look
familiar to some as the best of the lot was featured in issue No: 25 on using EF
zoom lenses creatively. What is shown here are those that didn't quite make the grade.
I will explain why.
 |
First shot - too many distractions |
|
 |
Slightly better but still not good |
|
| |
|
 |
One of the umbrellas was cut off |
|
 |
This is the best of the lot |
|
The first two shots are definitely
out - the inclusion of the road is a distraction; the second image is slightly better,
having cropped off bits and parts of the chairs and the other umbrella off the overall
scene. The third shot shows all the five umbrellas and the two chairs but I had one
of them slightly cropped off (extreme lower corner). The last shot is definitely
better but still not as good as the one used in issue No: 25, on Page Eight.
On these photos below, the first abstract shot is almost perfect - but the building
depicted is slanted towards the left. The second shot is corrected. Both were shot
with the EF 70-200mm f/2.8L USM zoom lens set at the 200mm position. Since this zoom
lens is not a Tilt & Shift type, there is very little anyone can do to correct
slanted buildings satisfactorily. The third shot of the same building at 70mm show
the same slanted view as the first photo to be less of a problem. The final shot
of the building's adjacent side at the 135mm position fails to correct the slanted
view completely.
One way of getting fascinating
photos is to shoot from a higher angle and looking out for any subject matter down
below, from an apartment's balcony, an office or a hotel's window and other higher
viewpoints. These four examples were shot from a hotel room overlooking the sights
and scenes that surrounded it.
 |
Shot at 70mm |
|
 |
Shot at 200mm |
|
| |
|
 |
Shot at 200mm |
|
 |
Shot at 135mm |
|
The last two photos does not really have a subject matter other than a close-up view
detailing the rooftop's dirty condition and an overall view of one of the nearby
streets. This type of angle is best suited for use in photographing a marathon session
held in the city or a cycling competition where the riders have to pass through some
of the cities in their quest for victory.
<<
Back to Main . 1 . 2
. 3 . 4
. 5 . 6
.
|