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Now we come to the third subject
as the versatility comparison test, the familiar fountain located at Kuala Lumpur's
Merdeka Square. With the EF 20mm f/2.8 USM lens, the situation here is similar to
that encountered with the National Monument photos. The first three were shot by
the prime lens while the fourth was captured with the EF 17-35L zoom.
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Shot by the EF 20mm |
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Also by EF 20mm, new angle |
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Horizontal angle, EF 20mm |
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EF 17-35L, shot at 35mm |
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Since the pool of the National Monument covered the fountain itself, there was no
way to get closer to with the EF 20mm lens. In a situation like this, it is better
to try for alternative angles, like shifting your body position slightly to get a
new viewpoint or simply try for a horizontal format. With the EF 17-35L zoom, you
can get a closer view of the fountain by zooming the lens to its 35mm position but
as can be seen from the above photo, the result was not that flattering. Basically,
even with the zoom lens, the option available is to try for alternative angles rather
than zooming up for a closer viewpoint.
Enough with the EF 20mm vs. EF 17-35L zoom lens, now we look at how the EF 70-200mm
f/2.8L USM fares against the EF 135mm f/2.0L USM and EF 200mm f/2.8L II USM. The
subject matters were the KL City Hall building and its surroundings. The first two
photos below were shot with the telephoto zoom lens at its 70mm and 100mm focal lengths
respectively.
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Shot at 70mm by EF 70-200L |
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Shot at 100mm by EF 70-200L |
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Shot by EF 135mm f/2L USM |
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Shot by EF 200mm f/2.8L II USM |
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With the 135mm lens, I had to walk further back in order to get as much view of the
scene as possible. At the end, this was what I had to contend with anyway since my
back was up against a wall that had prevented me from getting a wider view of the
scene similar to the one photographed at the 70mm focal length of the zoom lens although
the 135mm's shot did match the photo captured at the 100mm focal length.
With the EF 200mm f/2.8L II USM, the angle-of-view was even worse, as the lens was
only able to capture a very tight view of the scene altogether, definitely not the
wider types as shot by the zoom lens at its 70mm and 100mm focal lengths respectively.
Of course, if I had the 85mm or 100mm prime lens available then, the wider angle-of-view
like those shot by the zoom lens would have been possible. Then again, like in most
actual shooting situations, the right lens for the job might not be readily available
sometimes.
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