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Choosing the right colour slides
film.
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Shooting Data :
EF 100mm f/2.8 Macro Lens; 1/200 at f/2.8, ISO 100 film |
Welcome to the first issue of Films
& Accessories section. In this section, Canon camera users can read about fieldtests
of Canon branded photographic accessories and how to choose the right films or other
props like camera bags, tripods, light meters, etc. The various fieldtests of Canon
accessories being showcased here will help you decide which items would best complement
your Canon 35mm SLR cameras in order to help you create better pictures. In this
issue, the focus is on choosing the right consumer colour slide film for your photographic
shooting requirements, especially if you have just bought your first ever 35mm SLR
camera.
All of you may ask why am I suggesting using colour slide films rather than choosing
a colour negative film meant for colour prints?
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Shooting Data:
EF 100mm f/2.8 Macro Lens; 1130 at f2.8, ISO 100 film. |
I know that most beginners and amateurs tend to load up with colour negative films
with their newly purchased SLR cameras. There's nothing wrong with that but if you
want to know whether the new camera will do everything it is proclaimed to be or
simply your own photographic skills (or the lack of it) being the cause for the disappointing
end results, go for slide films. They are the best way to check for any exposure
or setting errors.
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Shooting Data:
EF 50mm f/1.4 USM Standard Lens; 1/250 at f/3.2, ISO 100 film. |
Perfect exposures, overexposed or underexposed frames, you name them, colour slides
film will record all of these as they are, unlike colour print films where most 1-hour
Minilabs will automatically compensate for any exposure errors that the photographers
have inadvertently set by mistake before clicking the shutter release button.
To be honest, when I was a beginner, I knew next to nothing about the fundamentals
of photography, the first roll of film I used in my first 35mm camera, a no-frill
Point & Shoot version, was an ISO 100 colour negative film.
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