|
Shooting Fashion Show Under
Mixed Lighting
Catwalk fashion shows are one of those situations where the choice of using either
daylight or tungsten-type of color films is entirely up to the photographer concerned
if available light photography is your preference. If you know of any such shows
that will be lit under tungsten lighting all the time, it is better to load the camera
with tungsten films. However, if daylight-type of lighting is to be used, the choice
is clear then as to the emulsion used.
What if the situation is held under mixed lighting, with a combination of natural
daylight, daylight-balanced lights and tungsten spotlights? And what if these lightings
do not appear all the time but at different intervals which the organizer or fashion
designer had wanted them to be lit in such a way?
In Malaysia, it is safe to assume that the lighting used for most of the shows will
be the tungsten type while the daylight-balanced lights will only come on at 25 per
cent or less of the whole duration. But it won't hurt if you decide to stock up with
both daylight and tungsten films in your camera bag just in case the show is presented
in full daylight or tungsten illumination.
 |
Daylight film under daylight |
|
 |
Daylight film under tungsten lighting |
|
| |
|
 |
Model under tungsten lighting |
|
 |
Model walked into daylight territory |
|
For the first shot above, the
model was lit by the daylight-balanced spotlight and the film (ISO 100) used was
able to render the natural colors faithfully. For the next model, she was lit by
the tungsten lighting and the warmer overall rendition was the effect. Switching
over to tungsten-balanced color film (ISO 64), I was able to render another model
that was lit by a tungsten light in neutral colors. But when she moved into a daylight-lit
corner, a slight bluish cast had emerged in the next shot. Below are four more examples
of how a tungsten-balanced color film has managed to reduce the warmer cast down
to the more-accustomed daylight color temperature we are used to seeing with our
eyes.
 |
Tungsten film shot under tungsten
light |
|
 |
Another similar effect |
|
| |
|
 |
This one as well |
|
 |
Under a stronger intensity of tungsten
lighting |
|
Text and photos by Philip Chong.
Copyright 2000 by Canon Marketing (M) Sdn Bhd
<<
Back to Main . 1 . 2
. 3 .
|