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When I tested both the EF 75-300mm
MM and USM versions, I didn't get curious looks from others. More so that the camera
used was sometimes the EOS 300 or the EOS 50, compared to my regular EOS-1N and L-series
EF lenses. The USM allows the lens to have a fast AF response, making it quick enough
for candid photography, even for moving subjects, like these two photos below of
the rider (camera used was EOS 50) and the group of students taking a break from
their study tour of the Malaysian capital of Kuala Lumpur.
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A moped-bike rider captured with
the lens at 200mm setting |
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Students taking a break (300mm) |
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The Canon EF 75-300mm f/4-5.6 III USM is one of three similar EF optics (being the
Micro Motor and Image Stabilizer versions) that offers both the entry-level and middle-range
EOS users the choice of owning an affordable telephoto zoom as their second lens
since most of them are likely to have purchased their respective models in kit form
with either an EF 28-80mm or an EF 35-80mm lens as the standard offering. And the
optical quality of the lens is excellent as well, free of chromatic aberrations,
astigmatism and coma (comet-like highlights), enabling high quality pictures with
superb sharpness, color balance and contrast.
Lens development technology has improved so much that Canon is able to reduce the
weight and overall size of zoom lenses having 75-300mm focal lengths to today's compact
models. Compare the EF 75-300mm f/4-5.6 III, III USM and IS zoom lenses (480, 480
and 650 grammes respectively) to that of Canon's manual focus FD 85-300mm f/4.5,
which tip the scale at 1,630 grammes, and you will notice the significant reduction
in size and weight of the modern optics.
Any disadvantage of the EF 75-300mm f/4-5.6 III USM lens? With variable maximum apertures
of f/4 (at 75mm) and f/5.6 (300mm), there are times where you will not be able to
shoot handheld available light pictures with this lens when the camera is loaded
with an ISO 100 film. Of course, switching to ISO 200 or 400 film will solve the
problem but in most cases, you are very likely to stock only ISO 100 film in your
camera bag.
Text and photos by Philip Chong.
Copyright 2000 by Canon Marketing (M) Sdn Bhd
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